chill

Chapter 5: The Woman Behind the Lie

The next morning, Nia woke to the sound of rain tapping against the guest room window.

Her laptop sat open on the desk, displaying the photograph Brianna had submitted to the competition. Nia had stared at it so long the previous night that she could practically redraw every object in the room from memory.

The industrial sewing machine bothered her most.

Brianna had never used one. She had once broken a household sewing needle trying to hem a pair of jeans and blamed Nia for buying cheap equipment.

Yet the photograph showed Brianna operating a professional embroidery machine with practiced confidence.

Someone had staged the picture.

Someone had provided the machine, the fabric, and the setting.

Someone wanted Brianna to look like a designer.

Nia dressed quickly and carried the photograph downstairs.

Margot was already in her office, speaking to a man in a charcoal suit. A leather briefcase sat open beside him, filled with folders.

“Nia,” Margot said, “this is Daniel Foster, our attorney. He's reviewed the material you sent.””

Daniel stood and offered his hand.

“I understand you're dealing with a difficult situation.””

“That's one way to describe it.””

He gave a brief smile.

“Let's start with what we know. Your stepsister has claimed authorship of a gown you designed. Your stepmother has signed a statement supporting that claim. And a company connected to Richard Vale appears in the photograph submitted as evidence.””

“Can we prove they lied?””

“We can challenge the statement. But we need to establish a clear timeline.””

Nia placed her notebook on the desk.

“I kept everything.””

She opened it to the first page. There were rough sketches, measurements, fabric samples, and dates written in her handwriting. Several pages had tiny photographs taped beside the drawings.

Daniel examined them carefully.

“This is excellent documentation.””

“I started taking pictures because Brianna kept going into my room and moving my things. I wanted to remember how I left my work.””

Margot exchanged a look with Daniel.

“Continue,” he said.

Nia showed him the earliest sketch, followed by photographs of the dye accident, the first embroidery tests, and the nearly completed bodice.

Each image had a timestamp.

The earliest one was four months old.

Daniel leaned back.

“This substantially strengthens your claim. We'll submit a formal response and request that the competition preserve the disputed entry until the investigation is complete.””

“What about the fake photograph?””

“We'll ask for the original digital file, not merely the image included in the affidavit. Metadata may help establish when and where it was created, although it isn't conclusive by itself.””

Nia nodded.

For the first time, the problem seemed less like a storm she couldn't escape and more like a series of knots she could untangle.

Then Daniel asked, “Have you ever visited Vale Couture Group?””

“No.””

“Has your family?””

Nia hesitated.

“Brianna goes shopping with Vanessa all the time. They know people with money. But I don't know anyone at that company.””

Margot opened a folder.

“Vale Couture has been purchasing smaller labels over the past decade. Richard has a reputation for aggressive business practices. Several independent designers have accused his company of using similar designs without permission.””

Nia looked at the photograph of her mother's Phoenix Gown.

“Was my mother one of them?””

Margot didn't answer immediately.

Instead, she removed a yellowed newspaper clipping from the folder.

The headline read:

*LOCAL DESIGNER EVELYN CARTER DIES BEFORE DEBUT COLLECTION LAUNCH.*

Beneath it was a photograph of Evelyn standing beside Margot at a charity fashion show.

Nia touched the image.

She remembered the blue dress her mother wore that night. She remembered sitting backstage with a coloring book while adults congratulated Evelyn.

But she had never known that the event marked the beginning of a business partnership.

Margot spoke softly.

“Evelyn had planned to announce her first collection the following week. After she died, the collection disappeared. The investors withdrew. Richard Vale launched a remarkably similar line less than a year later.””

“Why didn't you sue him?””

“We tried. But Evelyn's original contracts and several design records were missing. The case became expensive, and the remaining investors abandoned us. I couldn't prove what had happened.””

Nia felt anger rising in her chest.

“Someone stole her life's work, and everyone just let it happen?””

“Not everyone,” Margot said.

“I kept looking. But I didn't have enough evidence.””

Nia glanced at the wooden box she had brought from home.

“Maybe my mother knew someone would try again.””

She opened the box and removed the folded cream paper, then carefully examined the lining. A small seam ran along the bottom, almost invisible beneath the worn fabric.

“There's something here.””

Daniel passed her a pair of small scissors.

Nia unpicked three stitches.

A narrow piece of paper slid out.

It contained a handwritten list of dates, initials, and file numbers.

At the bottom was a sentence in Evelyn's handwriting.

The original records are not in the studio. Richard believes they were destroyed. He is wrong.

Margot went pale.

“Where did she hide them?””

Nia searched the remaining lining, but there was nothing else.

Daniel photographed the note.

“This could be important. We shouldn't speculate about what it proves until we identify those file numbers.””

Nia studied the list.

One entry stood out.

*VALE — ARCHIVE 17B.*

She read it aloud.

Margot slowly closed her eyes.

“I know that reference.””

“What does it mean?””

“Vale's original design archive. Before the company moved its operations, the files were kept in a warehouse outside Boston.””

“Can we get them?””

“Not without knowing what we're looking for and whether the records still exist.””

Daniel gathered the documents.

“I'll make inquiries through proper channels. Nobody should enter a private facility without authorization.””

Nia understood. She didn't want to make a mistake that would give Richard Vale a reason to discredit her.

Still, the discovery changed everything.

Her mother's death had left unanswered questions. Her designs had vanished. Now her stepsister was wearing a gown that carried the same distinctive embroidery as the work Evelyn had created years earlier.

The past wasn't simply repeating itself.

Someone was making certain it did.

By early afternoon, Nia returned to her sewing table.

The Phoenix Gown lay in pieces across the work surface. She had completed the structural lining and begun shaping the layered fabric, but the most difficult part remained: the embroidery that would transform the gown from an elegant silhouette into something unforgettable.

Margot had arranged for a supplier to deliver additional material that afternoon.

Nia worked steadily, letting the rhythm of the needle calm her thoughts.

At three, the atelier's receptionist called upstairs.

“Nia? There's someone here asking for you.””

“Who?””

“Your stepsister.””

Nia froze.

Through the glass railing, she could see Brianna in a cream coat, carrying a designer handbag. Vanessa stood beside her, speaking to the receptionist with a smile so polished it looked rehearsed.

Margot came upstairs.

“You don't have to see them.””

“I know.””

“Do you want me to ask them to leave?””

Nia watched Brianna adjust her hair in the reflection of the glass.

“No. I want to hear what she has to say.””

Margot studied her face, then nodded.

“We'll meet in the conference room. Daniel can join us.””

When Nia entered, Brianna looked her up and down.

“Oh, wow. You've really settled in, haven't you?””

Vanessa smiled at Margot.

“We're here to clear up a misunderstanding.””

Daniel sat at the head of the table.

“Then let's begin with the evidence.””

Brianna placed a glossy folder on the table.

“I'm willing to forgive Nia for what she's done,” she announced.

“She's always been jealous of me. I understand that she wants attention, but she doesn't have to destroy my future to get it.””

Nia stared at her.

“You took my dress.””

Brianna sighed dramatically.

“See? She keeps repeating that.””

Vanessa placed a hand on Brianna's shoulder.

“We're willing to make a compromise. Brianna can wear the gown for her graduation dinner, and Nia can withdraw her complaint. In return, we'll agree not to pursue any action against her for defamation.””

Daniel didn't touch the folder.

“Your proposal requires my client to abandon a valid authorship claim. We won't consider it without reviewing your evidence.””

Brianna's smile faltered.

Then she pulled a photograph from the folder and slid it toward Nia.

It showed a woman standing beside a sewing machine.

Nia recognized her instantly.

Her mother's former assistant.

Claudia Reed.

Brianna tapped the photograph.

“Perhaps you should ask her why your mother really lost her designs.””

Nia's throat tightened.

“Where did you get this?””

“From someone who knows the truth.””

Margot picked up the photograph.

“Claudia has been missing for years.””

Brianna leaned forward.

“Not anymore.””

May you like

She smiled at Nia.

“And if you want to know what your mother was hiding, you'd better stop accusing me before it's too late.””

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